Carving is one of my keys to the
secret garden, my way down the rabbit hole, my looking glass.
Since my childhood whittling days, the process of wood
carving has struck me as magical. Many years ago, I fell in love with the shape, colour, and texture of cottonwood bark from
fallen trees, and it has become my principle
carving medium.
The bark forms a natural canvas for whimsical
images, which I carve in relief, with an
illusion of realism. Sometimes
the grain and natural curve of a piece is so spectacular that it becomes an
unexpected extension of the relief carving.
I have no preconceived notion of what the carving
will look like, other than to determine if the bark is of a thickness for
either a face or a gnome home. I begin
by removing the loose bark with a wire brush, next I use chisels to remove
slivers of wood and let the face or house “emerge” from the bark. As I carve
the work takes on its own personality, which is
why each item is given its own name. I
know the carving is done when I can feel a harmony between the carved area and the
natural bark left on the piece. To finish, each piece is sanded, and small
amounts of paint may be added; it is signed, numbered, and either oiled or
sealed. My carvings can take three days to three weeks to complete.
When people see my work, I'd like them to be amused by the spirits of the
trees, and ... smile.
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